An author and fellow "Admin" of my Facebook group "A Good Greek Read" is Englishwoman Kathryn Gauci, who now lives in Melbourne, Australia. Kathryn, a dedicated Grecophile, has a lovely website and you can visit it by clicking here. She used to live in Greece and has written a successful novel called The Embroiderer, which has gained some pretty impressive reviews on Amazon (that link is to the amazon.com site, but if you want the UK one, or any others for that matter, you'll know to scroll to the bottom of the page and from there select whichever Amazon site you prefer to consult).
Recently, Kathryn interviewed me about my writings and, if you haven't already read it, you can read the interview by clicking HERE. So, I thought, as was the case with Chrissie Parker a while back, that it would be really nice to fire the same questions back to Kathryn as she had put to me, mainly because I believe my readers would be interested, but also of course, because she maintains a very informative website and blog, which you can get to through her website.
So, let's get started...
Where do you
live?
Melbourne, Australia.
Can you tell us
what your novel is about and what inspired you to write it?
The
Embroiderer begins
in the spring of 1822 during one of the bloodiest massacres of The
Greek War of Independence when a child is born to a woman of
legendary beauty in the Byzantine Monastery of Nea Moni on the Greek
island of Chios. The subsequent decades of bitter struggle between
Greeks and Turks simmer to a head when the Greek army invades Turkey
in 1919. During this time, Dimitra Lamartine arrives in Smyrna and
gains fame and fortune as an embroiderer to the elite of Ottoman
society. However, it is her grand-daughter, Sophia, a couturier, who
takes the business to great heights only to see their world come
crashing down with the outbreak of The Balkan Wars, 1912-13. In 1922,
Sophia begins a new life in Athens but when the Italians and Germans
occupy Greece, the memory of a dire prophecy once told to her
grandmother about a girl with flaming red hair begins to haunt her
with devastating consequences.
The
story unravels when Eleni Stephenson, an English woman living in
London, is called to the bedside of her dying aunt in Athens in
September 1972. In a story that rips her world apart, Eleni
discovers the chilling truth behind her family’s dark past plunging
her into the sensuous and evocative world of Orientalist art and
Ottoman fashion, to the destructive forces of political intrigue,
secret societies and espionage where families and friends are torn
apart and where a belief in fate and superstition simmers just below
the surface.
Set
against the backdrop of the mosques and minarets of Asia Minor and
the ruins of ancient Athens, The
Embroiderer is a
sweeping family saga spanning several generations. Offering a
fascinating insight into a forgotten world, it is a story of love and
loss, hope and despair, and of the extraordinary courage of women in
the face of adversity.
It
was inspired by firsthand accounts from the Asia Minor Catastrophe
refugees when I worked as a carpet designer in the refugee area of
Nea Ionia/ Kalogreza in Athens in the 1970’s. During that time, I
began to immerse myself in Greek history, especially the period under
Ottoman domination. As a textile designer I also had an interest in
the arts of that period.
3.
Where in Greece is The
Embroiderer set?
The
prologue begins on the island of Chios and later returns to it. The
rest is set in Constantinople, Smyrna and Athens, with a small
section set in London.
4. Why did
you choose to set your novels in this particular place?
The
Massacre of Chios in 1822 played an important part of The Greek War
of Independence. Constantinople and Smyrna were the two major cities
of the Ottoman Empire. The burning of Smyrna was a turning point in
Greek/Turkish relations and Athens is where most Greek refugees from
the Catastrophe ended up.
 |
Massacre of Chios by Eugene Delacroix
|
 |
Burning of Smyrna
|
5. What is it about Greece that inspires you?
Living
and working there gave me a great insight into the history, the
people and the culture. It was an important period in my life and no
matter where I am, my spiritual heart will always be in Greece.
6. How did you
come up with the title?
The
Embroiderer was a
natural title as so much of the early protagonist’s lives centred around embroidery and then fashion. It is one of the threads that
carries the story. There is also a hidden meaning in this title which
is not revealed until the end.
7.
How long did it take you to write your book?
Almost
six years. Plus I could not have written it without my earlier
experience in Greece and later, Turkey.
8.
The Greeks believed that ‘inspiration’ came from the muses, as
well as the gods Apollo and Dionysus. Where do you believe
inspiration comes from?
I
do think some people are naturally more creative than others. Such
people have an instinct that cannot be learned. The phrase “Let
your imagination run wild” is true. Imagination knows no bounds but
to gain it one needs to let go of conventions; to explore and be
inquisitive. Children have this natural ability but lose it at as
they develop due to the constraints society puts on them.
9.
The ancient Greeks created masterpieces in
literature of such brilliance – poetry, tragedy, comedy and history
– that have inspired, influenced and challenged writers and readers
to the present day. Do you agree with this and if so, why do you
think they remain an inspiration for later writers?
I
think they opened up a whole new world for us. Suddenly literature in
all its forms was recognized as contributing to our daily lives. They
challenged us to think about who we are and how we interact with each
other.
10.
The author, Simon Worrall, states that
historian, Adam Nicholson suggests in his book, 'Why Homer
matters' that ‘a whole culture - not a single "Homer"
created the Iliad and the Odyssey and that it is a mistake to think
of Homer as a person'. He describes these great works as a metaphor
for all our lives – struggles with storms. Do you agree with this
theory?
That
may be true. In a time when few people could read or write, the
storyteller played an important role in people’s lives. Any good
story teller worth his salt would have to create light and shade into
his narrative; good versus evil, heroes and villains – struggles
with storms. All this would gradually gather momentum to become an
epic.
11.
Visitors to Greece and Greeks themselves make
mention of its physical beauty – the light, the wine-dark sea of
Homer and a diverse landscape. Would you agree with this?
When I see the soaring
rugged mountains that gave birth to the gods, diverse villages that
nestle among valleys or perch high on a mountain ridge, and when I
inhale the scent of pine in an age-old landscape of olive groves, or
view a cluster of islands floating in a sea of turquoise through a
veil of translucent light, yes, I would definitely say that Greece is
a land of great beauty.
12.
Apart from the world of the gods, the
Christian Orthodox religion played a significant role in shaping
Greece’s culture. Do you believe that religion still plays an
important role in Greek life?
Religion, or rather the
sense of theatre which surrounds particularly the Greek Orthodox
Church, is hugely important to most Greeks. My old boss in Athens –
an atheist of the first order – once told me that in his opinion,
Greeks love the pageantry and sense of occasion of religious
festivals because it harks back to the glorious feast days of the
gods, especially Dionysus – a reason to get together and have a
good time. It’s also been my observation that Greek priests are a
part of the everyday life of a community and their steadfastness in
the face of Ottoman oppression only served to reassure the people
that they were not only there to serve God, but the people
themselves. I am not a religious person but I do think religion has
contributed to giving us great art and some of the most beautiful and
serene churches can be found all over Greece.
 |
Kaisariani Monastery, Athens
|
13.
Greece’s history has been a turbulent
one and it is often said that “a man is his ancestry”. To what
extent do you think this history has shaped the Greeks?
Their history is what
binds them together and gives them a sense of shared identity. Greeks
hold on to their past - good and bad - with pride. They have a great
distrust of government and bureaucracy but given the fact that Greece
has only been an independent country for a short time (just over one
hundred years if we take into account the half of Greece gained after
the Balkan Wars), and have suffered many wars and dictatorships in a
short space of time, then this is understandable. In the end it has
made them resilient.
14. What would you say
are the elements of the Greek spirit?
A love of life, pride in
their country and who they are, and they are endowed with enormous
generosity of spirit and hospitality. They are also naturally
inquisitive and are not afraid to ask what often seems to an
outsider, prying questions. Kazantzakis gives an excellent example of
this in Zorba the Greek.
I think this says it all.
“My
maternal grandfather, who lived in a fair-sized Cretan village, used
to take the lantern every evening and go round the village to see if,
by chance, any stranger had arrived. He would take him to his house
and give him an abundance of food and drink, after which he would sit
on the divan, light his long Turkish pipe, his chibouk, and then turn
to his guest – for whom the time had come to repay the hospitality
– and say in a peremptory tone:
“Talk”
“Talk
about what, Father Moustoyorgi?”
“What
you are, who you are, where you came from, what towns and villages
you have seen – everything. Tell me everything. Now speak!”
16. What part of the
research process did you enjoy the most?
I enjoy all the research,
especially when I’m travelling. You can only get so much from books
and the internet but nothing replaces the sights, sounds and smells
of the real thing. I’m also rather talkative and so I love meeting
people and hearing their stories.
16. What are you
working on now?
The current WIP is set
in France during WWII. Much of the research was done whilst writing
The Embroiderer,
particularly the third part which is set in German occupied Athens
from 1941-44. I am fascinated by anything to do with spies and the
resistance. War changes people. It makes them do things they would
never usually dream of. After that, I will be back in Ottoman Greece,
between the years 1810 and 1821 – a tale set in Northern Greece
just prior to The Greek War of Independence.
17.
What are your typical working conditions? Do you have a special place
to write and can you describe it for us?
I have a small room,
surrounded by books, which opens onto a tiny patio filled with trees
and bushes. It’s peaceful and I can spend hours there. Whilst I
might notes everywhere else, it’s only in this room that I can pull
it together.
And a few quick
questions:
• What are your
favourite books set in Greece by Greek or foreign authors?
Nikos Kazantzakis’s
Freedom or Death,
Christ Recrucified
followed by Zorba the Greek
– the book shows far greater insight into human nature than the
film; any Patrick Leigh Fermor
book, Leon Sciaky’s
Farewell to Salonica: City at the Crossroads,
Henry Miller’s The
Colossus of Maroussi,
Lawrence Durrell’s
Prospero’s Cell, and
Gerald Durrell’s My
Family and other Friends.
I am also a lover of Modern Greek poets such as Cavafy,
Seferis and Odysseus
Elytis. Plus there’s
a growing ‘must read’ list of excellent authors who feature on A Good Greek Read.
• Favourite type
of Greek music?
Yianni Parios
and Haris Alexiou. I
have been playing their records for years. Hadzikakis
and Theodorakis. I
also love the classic Rembetica musicians such as Vamvakaris
and Tzitzanis.
 |
Haris Alexiou
|
• Favourite Greek film?
Stella,
the 1955 film directed by Michael Cacoyannis and featuring Melina
Mercouri and Giorgos Foundas. Plus it has that great singer of the
war years- Sofia Vembo. I also loved the serial, Who
Pays the Ferryman
 |
Stella - the film
|
• Favourite Greek
monument, sculpture or painting?
Any archeological site,
Byzantine monastery or Ottoman building – all of which I am in my
element when viewing alone in the heat of the day with not a soul in
sight.
• Favourite Greek
food?
Baked prawns and fetta
which I first had in 1972 in Mikrolimani, grilled lamb cutlets with
lots of rigani and a generous amount of tzatziki, and for desert,
heavenly cinnamon-scented loukamathes.
 |
Loukamathes
|
• Favourite Greek drink?
Plomari ouzo and
retsina.
• Favourite
holiday destination?
A difficult one.
Perhaps Chios for the history and Karpathos for the unspoilt beaches.
And, finally...
Where can we buy the
book?
Or direct from the
publisher: Silverwood
Books, Bristol, UK.
There you go folks. Hope you enjoyed Kathryn's comments and now maybe - go check out The Embroiderer!
